With a background in film, a penchant for collecting antiques and a deep fascination with Chinese history and culture, Dickson Yewn tells Tatler how he carved out a unique niche for himself in the world of contemporary jewellery
As Dickson Yewn welcomed me into his boutique at Landmark Atrium in Hong Kong’s bustling central business district, he suggested we begin our conversation by exploring his latest book, launched just this past April. This invitation set the tone for a discussion that would reveal the essence of his creative journey—one marked by reinvention, passion and a commitment to artistic expression.
Yewn’s path has been anything but straightforward. From his early days sneaking into art classes in Paris to his time in the film industry, his experiences have woven a rich tapestry that informs his unique approach to jewellery design. This blend of influences allows him to merge his love for visual arts with his deep-rooted Chinese heritage and a desire for independent creativity.
Join Tatler as we delve into the insights of this creative maverick and discover his perspectives on the world of jewellery design and beyond.
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Your transition from fine art to jewellery design must have been quite a journey. Can you tell us more about that?
The transition was not a straightforward one. I started with fine art in high school but never formally studied it at the university level. Instead, I would sneak into art classes at the École des Beaux-Arts in Paris, attending with my art- student friends without officially enrolling. This early exposure to a formal art education laid the foundation for my creative pursuits.
However, my first true passion was actually the film industry. I spent about seven years working in the movie business, but eventually realised that the complicated web of personal relationships and deal making was not quite my cup of tea. That’s when I decided to explore the world of jewellery, which had always been a part of my family’s business.
What drew you to the world of jewellery, and how did you approach incorporating your diverse interests and talents into your designs?
I was drawn to jewellery because I felt it was a medium that allowed me to combine my love for fine art, my fascination with Chinese heritage and my desire for a more independent creative process. As a self-described historian at heart, I approached my jewellery design [in] a meticulous, systematic [way], almost like an anthropologist or social scientist.
My two upcoming books document how I use jewellery as a form of art to revive the material and non-material culture of China, drawing inspiration from everything from religious and philosophical traditions to historical motifs and symbols. It’s a deeply personal and multifaceted journey that allows me to weave together the various strands of my creative and intellectual interests.
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