Explore practical advice on choosing, serving, and storing champagne, gleaned from tasting over 100 varieties
Having spent a week opening, pouring and tasting my way through 100-plus champagnes—an activity I wouldn’t recommend to anybody who wants to lead a “normal” lifestyle—I have a number of hard-won insights to share.
Before you shed a tear for all the wasted champagne, please know that almost every bottle found its way to a loving home after I tasted it. I am blessed with some very helpful friends. Hopefully, these thoughts on how to choose champagne as well as how to serve, enjoy and store it will guide you as you pop corks through the holiday season and beyond.
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Choosing
Vintages are increasingly important, even for NV.
Gone are the days when NV meant “no variation”, especially as edition-labelled NV champagnes, seen at Jacquesson, Krug and Louis Roederer, become more common among houses and styles, if not quality levels, often change markedly between vintages. Meanwhile, many growers—lacking reserve wines—make single-vintage cuvées even if they can’t be labelled as such, like Françoise Bedel.
Packaging is key
But not necessarily in the ways consumers or producers think. Cute touches like pastel-coloured caps (Charles Dufour), charms on the cage (Veuve) or secret messages inside the foil (Vilmart, Roederer) are endearing, but after opening and pouring more than 100 of these things, my focus is on (a) the foil with the right level of thickness so it tears cleanly without getting sharp (Charles Heidsieck, Mumm and Thiénot are the best); and (b) a bottle shape that is easy to pour and store, either on its side or upright. The short and stubby or bowling pin shapes of so many prestige cuvées don’t fit in standard cellar shelving and take up an inappropriate amount of real estate standing up in the wine fridge.
Henri Giraud MV’s flute, though slightly tall, is wonderful to pour, and—though I didn’t love the staple closure at first—comes with a beautiful dégrafeur that looks like it was designed by Georg Jensen. As far as boxes go, though Armand de Brignac’s gorgeous black lacquer box will undoubtedly find a raison d’être in any household, I most appreciated Ruinart’s second skin, a protective paper sleeve resembling rough-hewn chalk.