Cover Photo: Mads Eneqvist/Unsplash

Explore practical advice on choosing, serving, and storing champagne, gleaned from tasting over 100 varieties

Having spent a week opening, pouring and tasting my way through 100-plus champagnes—an activity I wouldn’t recommend to anybody who wants to lead a “normal” lifestyle—I have a number of hard-won insights to share.

Before you shed a tear for all the wasted champagne, please know that almost every bottle found its way to a loving home after I tasted it. I am blessed with some very helpful friends. Hopefully, these thoughts on how to choose champagne as well as how to serve, enjoy and store it will guide you as you pop corks through the holiday season and beyond. 

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Choosing

Vintages are increasingly important, even for NV.

Gone are the days when NV meant “no variation”, especially as edition-labelled NV champagnes, seen at Jacquesson, Krug and Louis Roederer, become more common among houses and styles, if not quality levels, often change markedly between vintages.  Meanwhile, many growers—lacking reserve wines—make single-vintage cuvées even if they can’t be labelled as such, like Françoise Bedel.

Packaging is key

But not necessarily in the ways consumers or producers think. Cute touches like pastel-coloured caps (Charles Dufour), charms on the cage (Veuve) or secret messages inside the foil (Vilmart, Roederer) are endearing, but after opening and pouring more than 100 of these things, my focus is on (a) the foil with the right level of thickness so it tears cleanly without getting sharp (Charles Heidsieck, Mumm and Thiénot are the best); and (b) a bottle shape that is easy to pour and store, either on its side or upright. The short and stubby or bowling pin shapes of so many prestige cuvées don’t fit in standard cellar shelving and take up an inappropriate amount of real estate standing up in the wine fridge.

Henri Giraud MV’s flute, though slightly tall, is wonderful to pour, and—though I didn’t love the staple closure at first—comes with a beautiful dégrafeur that looks like it was designed by Georg Jensen. As far as boxes go, though Armand de Brignac’s gorgeous black lacquer box will undoubtedly find a raison d’être in any household, I most appreciated Ruinart’s second skin, a protective paper sleeve resembling rough-hewn chalk.

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Above Henri Giraud's dégrafeur (Photo: Handout)

Speaking of packaging, back labels are very informative now.

Almost all back labels will now tell you when the bottle was disgorged, whether explicitly (Date de Dégorgement), as part of the lot code or through an ID or QR code, so you can find out how long the wine has been taken off the lees—a good indicator of freshness. If you prefer a more mature style, as many champagne insiders do, look for wines that are a few years post-disgorgement.

Older is not always better.

A sentiment that a bottle of flat golden liquid from the 1970s that I tasted at a recent event reminded me. The wines in this guide are all relatively new releases rather than open-market bottles that have been aged extensively post-disgorgement, so they have been preserved by their lees. Even so, there is a clear evolution in something like a Dom Pérignon P2 2004, and if you are looking for fresh fruit and a cleansing mouthfeel you are unlikely to find it in a wine over 10 years old. Notable exceptions: Henriot’s Hemera and Mumm’s Lalou 2008, and Charles Heidsieck Blanc des Millénaires 2007.

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Above Photo: Mads Eneqvist/Unsplash

Serving

Cold champagne is bad, but warm is still worse.

I tried to make sure to time my tasting so that the wines had 5 minutes or so in the glass to warm up after being pulled from the wine fridge (10ºC) and poured because, without that lag time, the wines were too cold to express much and also needed some air. However, the wines I re-tasted after an additional hour in a near-empty glass were, let us say, significantly reduced in quality.

You don’t need tools for opening champagne, but you may want them.

I now feel I have perfected my kit, using thick cotton napkins to hold both the damp bottle and the cork, which saved me blisters and several cuts from sharp foil and caught at least part of the deluge when bottles occasionally frothed over. You may want to wear dishwashing or gardening gloves if you have many bottles to open—in private, of course. For bottles that had been disgorged a while ago and wouldn’t relinquish their corks, I found a simple hinged nutcracker very handy. For those pesky corks secured by staple, the purpose-designed tool I had to gently lever and bend it outwards could have easily been replaced by a flat-handled fork or spoon.

The reason some people think all champagnes are the same is flutes.

I tasted my samples in a Riesling glass, but any small white wine glass will suffice. To confirm that I was right—because it's only fair—I tried comparing samples of Krug, La Grande Dame and Rare in flutes and they were nowhere near as different as they should have been. 

Enjoying

Acidity and bitterness both help balance, but do different things.

As the climate has warmed in Champagne, producers have been trying to utilise bitterness—mainly from the grape skins—for balance. Both acidity and bitterness are so-called “hard” elements that offset “soft” elements like sugar and alcohol, but the acidity is “brightening” while bitterness darkens, affecting when you want to serve the wine and which food it complements. In other words, acid-driven champagnes have the cleansing power to shine before or early in the meal and complement or offset seafood while champagne with a strong bitter element is as good (if not better) as red wine with steak and also great after dinner.

People instinctively know what they like even if they can’t articulate it

Champagne isn’t an explicitly fruity wine and its flavours are hard to distinguish verbally—how many different ways can you say toasty? This is why we have included shapes and colours for each entry which will give you an overall idea of how the wine feels. Try wines of a few different shapes and colour combinations; from experience, even people that claim to not like champagne can find a style that moves them.

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Above Photo: Karol Chomka/Unsplash

Storing

Champagne can be better the next day if you store it properly

This is because champagne already has preservative CO2—and intense bubbles are overrated anyway. “Properly” simply means sealed under a good stopper with a silicone bung and metal or plastic clamp. I have yet to find silicone bungs sufficiently secure on their own, as a poor friend of mine whose rib I nearly broke with one can attest. Then, leave it upright in a wine fridge, ideally around 10ºC, or a regular fridge in a pinch. Reductive (the opposite of oxidative) styles of champagne tend to blossom overnight—think Taittinger, Delamotte, P-J Belle Époque, Margaine, Agrapart, or anything else that didn’t smell particularly intense when you first opened it.


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